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Simkin,
Stevie, "You Hold Your Gun Like A Sissy
Girl": Firearms and Anxious Masculinity in BtVS
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Simkin, Stevie, "Who died and made you
John Wayne?” – Anxious Masculinity in Buffy the Vampire
Slayer
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Singing Their Hearts Out: Performance,
Sincerity and Musical Diegesis in Buffy the Vampire Slayer
and Angel
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Sister
Journals
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Site
History
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The
Slayage Conference on Buffy the Vampire Slayer
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Slayage
Number 1
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Slayage
Number
2
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Slayage
Number
3
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Slayage
Number
4
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Slayage
Number
5
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Slayage
Number 6
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Slayage
Number 7
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Slayage
Number 8
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Slayage
Number 9
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Slayage
Number 10
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Slayage
Number 11_12
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Slayage
Number 13_14
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Slayage
Number 15
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Slayage
Number 16
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Slayage
Number 17
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Slayage
Number 18
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Slayage
Number 19
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Slayage
Number 20
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Slayage
Number 21
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Slayage
Number 22 |
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Slayage
Number 23 |
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Slayage
Number 24
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Slayage
Number 25
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Slayage
Number 26
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Slayage
Number 27
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Slayage
Number 28
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Slaying
the Patriarchy: Transfusions of the Vampire Metaphor in BtVS
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"Solving
Problems with Sharp Objects": Female Empowerment, Sex and Violence in Buffy
the Vampire Slayer
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Someone to Sink Your Teeth Into: Gendered Biting
Patterns on Buffy the Vampire Slayer—A Quantitative Analysis
(26) Paul D. Shapiro
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"Sounds Like Kinky Business to Me": Subtextual and Textual
Representations of Erotic Power in the Buffyverse
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South,
James, On the Philosophical
Consistency of Season 7
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Spah, Victoria, Ain't Love Grand: Spike
& Courtly Love
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Spicer,
Arwen, "It’s
Bloody Brilliant!" The Undermining of Metanarrative Feminism in the
Season Seven Arc Narrative of Buffy
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Spicer, Arwen, "Love’s Bitch but Man Enough to Admit
It": Spike’s
Hybridized Gender
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Staking
Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior
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Stengel,
Wendy A. F. G., Synergy
and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer
Communities of Interest
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Stevenson,
Greg, The End as
Moral Guidepost
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Submission
to Slayage
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The
Summers’ House as Domestic Space in Buffy the Vampire Slayer
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A Sweet Vamp: Critiquing the Treatment of
Race in Buffy and the American Musical Once More (with
Feeling)
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Symonds,
Gwyn, 'Solving
Problems with Sharp Objects': Female Empowerment, Sex and Violence
in Buffy the Vampire Slayer
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Synergy
and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer
Communities of Interest
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Tabron,
Judith, Girl on Girl
Politics: Willow/Tara and New Approaches to Media Fandom
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Teen
Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy
the Vampire Slayer
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"There
Will Never Be a ‘Very Special’ Buffy”: Buffy
and the Monsters of Teen Life
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T. S. Eliot Comes to Television: Buffy's
"Restless"
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Turnbull,
Sue, "Not Just
Another Buffy Paper”: Towards an Aesthetics of Television
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Undead
Letters: Searches and Researches in Buffy
the Vampire Slayer
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Vampire
is Being Beaten - De Sade Through the Looking Glass in Buffy and Angel,
A
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Vampires
and School Girls: High School Highjinks on the Hellmouth in Buffy
the Vampire Slayer
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“A Very Strong Urge to Hit You”: Mimetic Violence and Scapegoating in Buffy the Vampire Slayer
(26) George A. Dunn
and Brian McDonald
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Vint,
Sherryl, "Killing us Softly"? A
Feminist Search for the "Real" Buffy
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Walking
the Fine Line Between Angel and Angelus
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Wandless,
William, Undead
Letters: Searches and Researches in Buffy
the Vampire Slayer
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Warrior Heroes: Buffy
the Vampire Slayer and Beowulf`
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“We don’t say ‘Indian’”: On the Paradoxical Construction
of the Reavers |
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Whedon Studies Association, The
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The
Whedonverses and the Sociology of Academe, or A Report on SC2: The
Slayage Conference on the Whedonverses, Gordon College, May 26-28,
2006 (21)
Brett M. Rogers
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When,
Where, and How Much is Buffy a Soap Opera?
|
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“When You Kiss Me, I want to
Die”: Gothic Relationships and Identity on Buffy the
Vampire Slayer
(26)
Ananya
Mukherjea
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"Where
Do We Go From Here?”: Buffy
Studies and Slayage 2006
(21) Patricia Pender
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"Where's the fun?": The Comic Apocalypse in "The Wish" |
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"Who died and made you
John Wayne?” – Anxious Masculinity in Buffy the Vampire
Slayer
|
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Why
Can’t We Spike Spike?: Moral Themes in Buffy
the Vampire Slayer
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Why
Drusilla is More Interesting Than Buffy
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Why
We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the
Vampire Slayer Wound Up Dating the Enemy
|
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Wilcox, Rhonda V.
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Wilcox, Rhonda V., "Every Night I Save
You": Buffy, Spike, Sex and Redemption
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Wilcox,
Rhonda
V. (Gordon College). In
"The Demon Section of the Card Catalog": Buffy
Studies and Television Studies
(21)
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Wilcox,
Rhonda V., "There
Will Never Be a ‘Very Special’ Buffy”: Buffy
and the Monsters of Teen Life
|
|
Wilcox,
Rhonda V., T. S. Eliot Comes to Television: Buffy's
"Restless"
|
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Wilcox,
Rhonda V. ,
The Whedon Studies Association
|
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Williams,
Rebecca, “It’s
About the Power!” Executive Fans, Spoiler Whores and Capital in
the Buffy
the Vampire Slayer On-Line
Fan Community
|
|
Winslade,
J. Lawton,
Teen
Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy
the Vampire Slayer
|
|
Wisker,
Gina, Vampires
and School Girls: High School Highjinks on the Hellmouth in Buffy
the Vampire Slayer
|
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Words
from the Hellmouth: A Bibliography of Books on Buffy the Vampire
|
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"You Hold Your Gun Like A Sissy
Girl": Firearms and Anxious Masculinity in BtVS
|
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You're
on my campus, buddy!: Sovereign and disciplinary power at Sunnydale High
|
|
Xander, Patriarchy, and the
Presentation of Realistic Gender Politics in BtVS |