|
Abbott,
Stacey, A
Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy
the Vampire Slayer
|
|
Abbott,
Stacey,
Walking the Fine Line Between
Angel and Angelus
|
|
Abbott, Stacey and Lorna
Jowett.
Buffy
Hereafter: From the Whedonverse to the Whedonesque (Conference Report)
|
|
About
the Show
|
|
Academic Buffy
Bibliography
|
|
”Actually, it explains a lot”: Reading the Opening Title
Sequences of Buffy the Vampire Slayer |
|
Adams,
Michael, Introduction: Beyond
Slayer Slang: Pragmatics, Discourse, and Style in Buffy the Vampire
Slayer
|
|
Aeneas
the Vampire Slayer: A Roman Model for Why Giles Kills Ben
|
|
“Aiming to Misbehave”: Role Modeling Political-Economic Conditions and Political
Action in the Serenityverse
|
|
Ain't Love Grand: Spike
& Courtly Love
|
|
Albright,
Richard S., “[B]reakaway pop hit or
. . . book number?”: “Once More, with Feeling” and Genre
|
|
Alexander,
Jenny. A Vampire is Being
Beaten - De Sade Through the Looking Glass in Buffy and Angel
|
|
And
in Some Language That’s English? Slayer Slang and Artificial
Computer Generation
|
|
Apocalyptic
Apocalypses: The Narrative Eschatology of Buffy the Vampire Slayer
|
|
Archive
|
|
Alderman, Naomi and Annette
Seidel-Arpaci, Imaginary Para-Sites of the Soul: Vampires
and Representations of ‘Blackness’ and ‘Jewishness’ in the
Buffy/Angelverse
|
|
Bacon-Smith, Camille, The Color of the Dark
|
|
Badman, Derik A. Academic Buffy
Bibliography
|
|
Barbaccia, Holly G., Buffy
in the "Terrible House"
|
|
Battis,
Jes, Demonic Maternities, Complex
Motherhoods: Cordelia, Fred and the Puzzle of Illyra
|
|
Battis, Jes, “She’s Not All Grown Yet”:
Willow As Hybrid/Hero in Buffy the Vampire Slayer
|
|
Battis, Jes.
Captain Tightpants: Firefly and the Science Fiction Canon
|
|
Blasingame,
Katrina, “I can’t
believe I’m saying it twice in the same century . . . but ‘duh .
. .’” The Evolution of Buffy the Vampire
Slayer Sub-Culture Language through the Medium of Fanfiction
|
|
Bowers,
Cynthia, Generation
Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles
|
|
Boyette,
Michele, The
Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain:
Spike is for Kicks
|
|
Bradney, Anthony, “I
Made a Promise to a Lady”: Law and Love in BtVS.
|
|
Bradney, Anthony, The
Politics and Ethics of Researching the Buffyverse
|
|
Brainwashing
the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy
|
|
Bram
Stoker's Buffy: Traditional Gothic and Contemporary Culture
|
|
Brannon,
Julie
Sloan, "It's About
Power": Buffy, Foucault, and the Quest for Self
|
|
“[B]reakaway pop hit or
. . . book number?”: “Once More, with Feeling” and Genre
|
|
Breton,
Rob and Lindsey McMaster,
Dissing
the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the
Vampire Slayer
|
|
Brown, Rebecca.
Orientalism in Firefly and Serenity
|
|
BtVS
Links
|
|
Buffy
and the BBC: Moral Questions and How to
Avoid Them
|
|
Buffy
Hereafter: From the Whedonverse to the Whedonesque (Conference Report)
|
|
Buffy
in the "Terrible House"
|
|
Buffy the Vampire Slayer |
|
Buffy
the Vampire Slayer
and the Domestic Church: Re-Visioning Family
and the Common Good
|
|
Buffy,
the Scooby Gang, and Monstrous Authority: BtVS and the Subversion
of Authority
|
|
Buffy
the Vampire Slayer and
the Pedagogy of Fear
|
|
Buffy
the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies,
and the New Economy of Power
|
|
Buffy, Faith and
Bad Faith: Choosing to be the Chosen One |
|
Buinicki,
Martin and Anthony Enns, Buffy
the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies,
and the New Economy of Power
|
|
Burns,
Angie.
Passion, pain and ‘bad
kissing decisions’: learning about intimate relationships from Buffy
Season Six (21).
|
|
Burr, Vivien, Buffy and the BBC: Moral Questions and How to
Avoid Them
|
|
Bussolini,
Jeffrey, Los Alamos is the
Hellmouth
|
|
By
Whose Authority? The Magical Tradition, Violence, and the Legitimation of
the Vampire Slayer
|
|
Call,
Lewis (California Polytechnic State
University, San Luis Obispo),
"Sounds Like Kinky Business to Me": Subtextual and Textual
Representations of Erotic Power in the Buffyverse
|
|
Callander,
Michelle, Bram
Stoker's Buffy: Traditional Gothic and Contemporary Culture
|
|
Calvert,
Bronwen, Going
Through the Motions: Robots in Buffy the Vampire Slayer
|
|
Campbell.
Richard and Caitlin Campbell, Demons,
Aliens, Teens and Television (from Television Quarterly)
|
|
Camron,
Marc , Xander, Patriarchy,
and the Presentation of Realistic Gender Politics in BtVS |
|
Captain Tightpants: Firefly and the Science Fiction Canon |
|
The Caucasian Persuasion of Buffy
the Vampire Slayer
|
|
Chandler,
Holly, Slaying the
Patriarchy: Transfusions of the Vampire Metaphor in BtVS (Slayage
Number Nine)
|
|
Clark,
Daniel A. and P. Andrew Miller, Buffy,
the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of
Authority
|
|
Clemons, Leigh.
Real Vampires Don’t Wear Shorts: The Aesthetics of Fashion in Buffy
the Vampire Slayer
(22) |
|
Cocca, Carolyn, "First
Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist
Theories, and Buffy the Vampire Slayer
|
|
Cochran, Tanya R.
and Rhonda V. Wilcox.
A New Frontier: Whedon Studies and Firefly/Serenity
|
|
The
Color of the Dark
|
|
The
Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain:
Spike is for Kicks
|
|
A
Conference Report on "Bring Your Own Subtext": Social Life,
Human Experience and the Works of Joss Whedon
|
|
Contributors
|
|
Coyote in the Black: The Evolution of Malcolm Reynolds the
Trickster-Shaman |
|
Curry, Agnes B.
“We don’t say ‘Indian’”: On the Paradoxical Construction
of the Reavers
|
|
Da
Ros, Giada, When,
Where, and How Much is Buffy a Soap Opera?
|
|
Davis,
Robert A., Buffy
the Vampire Slayer and
the Pedagogy of Fear
|
|
Demonic
Maternities, Complex Motherhoods: Cordelia, Fred and the Puzzle of Illyra
|
|
Demons,
Aliens, Teens and Television
(from
Television Quarterly)
|
|
"Did
Anyone Ever Explain to you What 'Secret Identity' Means?" Race
and Displacement in Buffy and Dark Angel
|
|
Diehl,
Laura, Why Drusilla is More
Interesting Than Buffy
|
|
Dissing
the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the
Vampire Slayer
|
|
Dressed
to Kill: Fashion and Leadership in BtVS
(21) Christine
Jarvis and Don Adams
|
|
Driving
Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS
|
|
Early, Frances, Staking
Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior
(from The Journal of Popular Culture)
|
|
Editorial Board (of Slayage)
|
|
Editors
(of Slayage)
|
|
"Emotional Resonance and Rocket Launchers": Joss Whedon's
Audio Commentaries on the Buffy the Vampire Slayer DVDs
|
|
End
as Moral Guidepos, The
|
|
Episode
Guide
|
|
Erickson,
Greg, Revisiting
Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men
Who Died”
|
|
"Every
Night I Save You": Buffy, Spike, Sex and Redemption
|
|
The
Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the
Soul
|
|
Extending Your
Mind: Non-Standard Perlocutionary Acts in "Hush"
|
|
Fan
Readings of Sex and Violence on Buffy the Vampire Slayer
|
|
Fifarek, Aimee, "Mind
and Heart with Spirit Joined”: The Buffyverse as an Information System
|
|
Fighting the Forces: What's at Stake in
Buffy the Vampire Slayer
|
|
"First
Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist
Theories, and Buffy the Vampire Slayer
|
|
Fossey, Claire, "Never
Hurt the Feelings of a Brutal Killer": Spike and the Underground Man
|
|
Fritts,
David, Warrior Heroes: Buffy
the Vampire Slayer and Beowulf
|
|
From
the Valley to the Hellmouth: Buffy’s
Transition from Film to Television
|
|
Fuchs, Cynthia (George Mason University), "Did
Anyone Ever Explain to you What 'Secret Identity' Means?" Race
and Displacement in Buffy and Dark Angel
|
|
Gelineau, Mark.
Coyote in the Black: The Evolution of Malcolm Reynolds the
Trickster-Shaman
|
|
Generation
Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles
|
|
Getting
a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive
on the Television Without Pity Message Boards
|
|
Girl
on Girl Politics: Willow/Tara and New Approaches to Media Fandom
|
|
Going
Through the Motions: Robots in Buffy the Vampire Slayer
|
|
Gorgonzola Sandwiches and Yellow Crayons: James Joyce, Buffy the
Vampire Slayer and the Aesthetic of Minutiae |
|
Greene,
Richard and Wayne Yuen, Why
Can’t We Spike Spike?: Moral Themes in Buffy
the Vampire Slayer
|
|
Halfyard,
Janet K. Love,
Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy
the Vampire Slayer and Angel
|
|
Halfyard, Janet
K. Singing Their Hearts Out: Performance,
Sincerity and Musical Diegesis in Buffy the Vampire Slayer
and Angel
|
|
Heinecken
Dawn, Fan
Readings of Sex and Violence on Buffy the Vampire Slayer
|
|
Hollis, Erin.
Gorgonzola Sandwiches and Yellow Crayons: James Joyce, Buffy the
Vampire Slayer and the Aesthetic of Minutiae
(22) |
|
“I
am the law” “I am the magics”: Speech, Power and the Split
Identity of Willow in Buffy the Vampire Slayer
|
|
“I
can’t believe I’m saying it twice in the same century . . . but ‘duh
. . .’” The Evolution of Buffy the Vampire
Slayer Sub-Culture Language through the Medium of Fanfiction
|
|
“I
Made a Promise to a Lady”:
Law and Love in BtVS
|
|
“I
Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present
Bisexual in Buffy the Vampire Slayer
|
|
“I
Wrote My Thesis on You": Buffy Studies as an Academic Cult
|
|
Images
from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002
|
|
Imaginary Para-Sites of the Soul: Vampires
and Representations of ‘Blackness’ and ‘Jewishness’ in the
Buffy/Angelverse
|
|
In
"The Demon Section of the Card Catalog": Buffy
Studies and Television Studies (21)
Rhonda
V. Wilcox
|
|
Introduction:
Beyond Slayer Slang: Pragmatics, Discourse, and Style in Buffy the
Vampire Slayer
|
|
Introduction |
|
Introvigne,
Massimo. Brainwashing
the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy.
|
|
“Is
that just a comforting way of not answering the question?”: Willow,
Questions, and Affective Response in Buffy
the Vampire Slayer
|
|
“I
Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present
Bisexual in Buffy the Vampire Slayer
|
|
“It’s
About Power!” Executive Fans, Spoiler Whores and Capital in
the
Buffy
the Vampire Slayer On-Line
Fan Community
|
|
"It's About
Power": Buffy, Foucault, and the Quest for Self |
|
"It’s
Bloody Brilliant!" The Undermining of Metanarrative Feminism in the
Season Seven Arc Narrative of Buffy
|
|
Jarvis,
Christine (Sheffield Hallam University) and Don Adams (Central
Connecticut State University). Dressed
to Kill: Fashion and Leadership in BtVS
(21)
|
|
Jencson, Linda Jean.
“Aiming to Misbehave”: Role Modeling Political-Economic Conditions and Political
Action in the Serenityverse
|
|
Jenkins, Alice and Susan Stuart, Extending Your
Mind: Non-Standard Perlocutionary Acts in "Hush"
|
|
Jowett,
Lorna, New Men:
"Playing the Sensitive Lad"
|
|
Jowett,
Lorna, The
Summers’ House as Domestic Space in Buffy the Vampire Slayer
|
|
"Killing
us Softly"? A Feminist Search for the "Real" Buffy
|
|
Kirchner,
Jesse Saba, And
in Some Language That’s English? Slayer Slang and Artificial
Computer Generation
|
|
Kirkland, Ewan. The Caucasian Persuasion of Buffy
the Vampire Slayer
|
|
Kirkland,
Ewan, A
Conference Report on "Bring Your Own Subtext": Social Life,
Human Experience and the Works of Joss Whedon
|
|
|
