|
Abbott,
Stacey, A
Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy
the Vampire Slayer
|
|
Abbott,
Stacey,
Walking the Fine Line Between
Angel and Angelus
|
|
Abbott, Stacey and Lorna
Jowett.
Buffy
Hereafter: From the Whedonverse to the Whedonesque (Conference Report)
|
|
About
the Show
|
|
Academic Buffy
Bibliography
|
|
"Actually, it explains a lot”: Reading the Opening Title
Sequences of Buffy the Vampire Slayer |
|
Adams,
Michael, Introduction: Beyond
Slayer Slang: Pragmatics, Discourse, and Style in Buffy the Vampire
Slayer
|
|
Aeneas
the Vampire Slayer: A Roman Model for Why Giles Kills Ben
|
|
“Aiming to Misbehave”: Role Modeling Political-Economic Conditions and Political
Action in the Serenityverse
|
|
Ain't Love Grand: Spike
& Courtly Love
|
|
Albright,
Richard S., “[B]reakaway pop hit or
. . . book number?”: “Once More, with Feeling” and Genre
|
|
Alexander,
Jenny. A Vampire is Being
Beaten - De Sade Through the Looking Glass in Buffy and Angel
|
|
And
in Some Language That’s English? Slayer Slang and Artificial
Computer Generation
|
|
Apocalyptic
Apocalypses: The Narrative Eschatology of Buffy the Vampire Slayer
|
|
Archive
|
|
Alderman, Naomi and Annette
Seidel-Arpaci, Imaginary Para-Sites of the Soul: Vampires
and Representations of ‘Blackness’ and ‘Jewishness’ in the
Buffy/Angelverse
|
|
"Are You Ready to Finish This?": The Battle
against the Patriarchal Forces of Darkness
|
|
Bacon-Smith, Camille, The Color of the Dark
|
|
Badman, Derik A. Academic Buffy
Bibliography
|
|
Barbaccia, Holly G., Buffy
in the "Terrible House"
|
|
Battis,
Jes, Demonic Maternities, Complex
Motherhoods: Cordelia, Fred and the Puzzle of Illyra
|
|
Battis, Jes, “She’s Not All Grown Yet”:
Willow As Hybrid/Hero in Buffy the Vampire Slayer
|
|
Battis, Jes.
Captain Tightpants: Firefly and the Science Fiction Canon
|
|
Blasingame,
Katrina, “I can’t
believe I’m saying it twice in the same century . . . but ‘duh .
. .’” The Evolution of Buffy the Vampire
Slayer Sub-Culture Language through the Medium of Fanfiction
|
|
Bowers,
Cynthia, Generation
Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles
|
|
Boyette,
Michele, The
Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain:
Spike is for Kicks
|
|
Bradney, Anthony, “I
Made a Promise to a Lady”: Law and Love in BtVS.
|
|
Bradney, Anthony, The
Politics and Ethics of Researching the Buffyverse
|
|
Brainwashing
the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy
|
|
Bram
Stoker's Buffy: Traditional Gothic and Contemporary Culture
|
|
Brannon,
Julie
Sloan, "It's About
Power": Buffy, Foucault, and the Quest for Self
|
|
“[B]reakaway pop hit or
. . . book number?”: “Once More, with Feeling” and Genre
|
|
Breton,
Rob and Lindsey McMaster, Dissing
the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the
Vampire Slayer
|
|
Brown, Rebecca.
Orientalism in Firefly and Serenity
|
|
BtVS
Links
|
|
Buffy
and the BBC: Moral Questions and How to
Avoid Them
|
|
Buffy
Hereafter: From the Whedonverse to the Whedonesque
(Conference Report)
|
|
Buffy
in the "Terrible House"
|
|
Buffy the Vampire Slayer |
|
Buffy
the Vampire Slayer
in the Business Ethics Classroom
|
|
Buffy
the Vampire Slayer
and the Domestic Church: Re-Visioning Family
and the Common Good
|
|
Buffy,
the Scooby Gang, and Monstrous Authority: BtVS and the Subversion
of Authority
|
|
Buffy
the Vampire Slayer and
the Pedagogy of Fear
|
|
Buffy
the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies,
and the New Economy of Power
|
|
Buffy, Faith and
Bad Faith: Choosing to be the Chosen One |
|
Buffy/Faith Adult
Femslash: Queer Porn with a
Plot
|
|
Buinicki,
Martin and Anthony Enns, Buffy
the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies,
and the New Economy of Power
|
|
Burns,
Angie.
Passion, pain and ‘bad
kissing decisions’: learning about intimate relationships from Buffy
Season Six (21).
|
|
Burr, Vivien, Buffy and the BBC: Moral Questions and How to
Avoid Them
|
|
Bussolini,
Jeffrey, Los Alamos is the
Hellmouth
|
|
By
Whose Authority? The Magical Tradition, Violence, and the Legitimation of
the Vampire Slayer
|
|
Call,
Lewis (California Polytechnic State
University, San Luis Obispo),
"Sounds Like Kinky Business to Me": Subtextual and Textual
Representations of Erotic Power in the Buffyverse
|
|
Callander,
Michelle, Bram
Stoker's Buffy: Traditional Gothic and Contemporary Culture
|
|
Calvert,
Bronwen, Going
Through the Motions: Robots in Buffy the Vampire Slayer
|
|
Campbell.
Richard and Caitlin Campbell, Demons,
Aliens, Teens and Television (from Television Quarterly)
|
|
Camron,
Marc, Xander, Patriarchy,
and the Presentation of Realistic Gender Politics in BtVS |
|
Captain Tightpants: Firefly and the Science Fiction Canon |
|
Carroll,
Shiloh,
Psychology of a "Superstar": A Pyschological Analysis of Jonathan
Levinson
|
|
The Caucasian Persuasion of Buffy
the Vampire Slayer
|
|
Chandler,
Holly, Slaying the
Patriarchy: Transfusions of the Vampire Metaphor in BtVS (Slayage
Number Nine)
|
|
Clark,
Daniel A. and P. Andrew Miller, Buffy,
the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of
Authority
|
|
Clemons, Leigh.
Real Vampires Don’t Wear Shorts: The Aesthetics of Fashion in Buffy
the Vampire Slayer
(22) |
|
Cocca, Carolyn, "First
Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist
Theories, and Buffy the Vampire Slayer
|
|
Cochran, Tanya R.
and Rhonda V. Wilcox.
A New Frontier: Whedon Studies and Firefly/Serenity
|
|
The
Color of the Dark
|
|
The
Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain:
Spike is for Kicks
|
|
A
Conference Report on "Bring Your Own Subtext": Social Life,
Human Experience and the Works of Joss Whedon
|
|
Contributors
|
|
Coyote in the Black: The Evolution of Malcolm Reynolds the
Trickster-Shaman |
|
Curry, Agnes B.
“We don’t say ‘Indian’”: On the Paradoxical Construction
of the Reavers
|
|
Da
Ros, Giada, When,
Where, and How Much is Buffy a Soap Opera?
|
|
Davis,
Robert A., Buffy
the Vampire Slayer and
the Pedagogy of Fear
|
|
Demonic
Maternities, Complex Motherhoods: Cordelia, Fred and the Puzzle of Illyra
|
|
Demons,
Aliens, Teens and Television
(from
Television Quarterly)
|
|
"Did
Anyone Ever Explain to you What 'Secret Identity' Means?" Race
and Displacement in Buffy and Dark Angel
|
|
Diehl,
Laura, Why Drusilla is More
Interesting Than Buffy
|
|
Dissing
the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the
Vampire Slayer
|
|
Dressed
to Kill: Fashion and Leadership in BtVS
(21) Christine
Jarvis and Don Adams
|
|
Driving
Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS
|
|
Dunn,
George A.
and Brian
McDonald (Indiana University-Purdue University at Indianapolis),
“A Very Strong Urge to Hit You”: Mimetic Violence and
Scapegoating in Buffy the Vampire Slayer
(26)
|
|
Durand,
Kevin
K., "Are You Ready to Finish This?": The Battle
against the Patriarchal Forces of Darkness
|
|
Early, Frances, Staking
Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior
(from The Journal of Popular Culture)
|
|
Editorial Board (of Slayage)
|
|
Editors
(of Slayage)
|
|
"Emotional Resonance and Rocket Launchers": Joss Whedon's
Audio Commentaries on the Buffy the Vampire Slayer DVDs
|
|
End
as Moral Guidepos, The
|
|
Enlightenment Rhetoric in
Buffy the Vampire Slayer:
The Ideological Implications of Worldviews in the Buffyverse
(26) Wendy Olson
|
|
Episode Guides
|
|
Erickson,
Greg, Revisiting
Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men
Who Died”
|
|
"Every
Night I Save You": Buffy, Spike, Sex and Redemption
|
|
The
Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the
Soul
|
|
Extending Your
Mind: Non-Standard Perlocutionary Acts in "Hush"
|
|
Fan
Readings of Sex and Violence on Buffy the Vampire Slayer
|
|
Fifarek, Aimee, "Mind
and Heart with Spirit Joined”: The Buffyverse as an Information System
|
|
Fighting the Forces: What's at Stake in
Buffy the Vampire Slayer
|
|
"First
Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist
Theories, and Buffy the Vampire Slayer
|
|
Fossey, Claire, "Never
Hurt the Feelings of a Brutal Killer": Spike and the Underground Man
|
|
Fritts,
David, Warrior Heroes: Buffy
the Vampire Slayer and Beowulf
|
|
From
the Valley to the Hellmouth: Buffy’s
Transition from Film to Television
|
|
Fuchs, Cynthia (George Mason University), "Did
Anyone Ever Explain to you What 'Secret Identity' Means?" Race
and Displacement in Buffy and Dark Angel
|
|
Gelineau, Mark.
Coyote in the Black: The Evolution of Malcolm Reynolds the
Trickster-Shaman
|
|
Generation
Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles
|
|
Getting
a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive
on the Television Without Pity Message Boards
|
|
Girl
on Girl Politics: Willow/Tara and New Approaches to Media Fandom
|
|
Going
Through the Motions: Robots in Buffy the Vampire Slayer
|
|
Gorgonzola Sandwiches and Yellow Crayons: James Joyce, Buffy the
Vampire Slayer and the Aesthetic of Minutiae |
|
Greene,
Richard and Wayne Yuen, Why
Can’t We Spike Spike?: Moral Themes in Buffy
the Vampire Slayer
|
|
Halfyard,
Janet K. Love,
Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy
the Vampire Slayer and Angel
|
|
Halfyard, Janet
K. Singing Their Hearts Out: Performance,
Sincerity and Musical Diegesis in Buffy the Vampire Slayer
and Angel
|
|
Happiness
is a Warm Scythe: The Evolution of Villainy and Weaponry in the Buffyverse
|
|
Harris, Howard , Buffy
the Vampire Slayer
in the Business Ethics Classroom
|
|
Heinecken
Dawn, Fan
Readings of Sex and Violence on Buffy the Vampire Slayer
|
|
Hollis, Erin.
Gorgonzola Sandwiches and Yellow Crayons: James Joyce, Buffy the
Vampire Slayer and the Aesthetic of Minutiae
(22)
|
|
Hoffmann,
Christine , Happiness
is a Warm Scythe: The Evolution of Villainy and Weaponry in the Buffyverse
|
|
“I
am the law” “I am the magics”: Speech, Power and the Split
Identity of Willow in Buffy the Vampire Slayer
|
|
“I
can’t believe I’m saying it twice in the same century . . . but ‘duh
. . .’” The Evolution of Buffy the Vampire
Slayer Sub-Culture Language through the Medium of Fanfiction
|
|
“I
Made a Promise to a Lady”:
Law and Love in BtVS
|
|
“I
Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present
Bisexual in Buffy the Vampire Slayer
|
|
“I
Wrote My Thesis on You": Buffy Studies as an Academic Cult
|
|
Images
from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002
|
|
Imaginary Para-Sites of the Soul: Vampires
and Representations of ‘Blackness’ and ‘Jewishness’ in the
Buffy/Angelverse
|
|
In
"The Demon Section of the Card Catalog": Buffy
Studies and Television Studies (21)
Rhonda
V. Wilcox
|
|
Introduction:
Beyond Slayer Slang: Pragmatics, Discourse, and Style in Buffy the
Vampire Slayer
|
|
Introduction |
|
Introvigne,
Massimo. Brainwashing
the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy.
|
|
“I
run to Death”: Renaissance Sensibilities in Buffy the Vampire Slayer
|
|
“I
Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present
Bisexual in Buffy the Vampire Slayer
|
|
“Is
that just a comforting way of not answering the question?”: Willow,
Questions, and Affective Response in Buffy
the Vampire Slayer
|
|
Malin
Isaksson, Buffy/Faith Adult
Femslash: Queer Porn with a
Plot
|
|
“It’s
About Power!” Executive Fans, Spoiler Whores and Capital in
the
Buffy
the Vampire Slayer On-Line
Fan Community
|
|
"It's About
Power": Buffy, Foucault, and the Quest for Self
|
|
"It’s
Bloody Brilliant!" The Undermining of Metanarrative Feminism in the
Season Seven Arc Narrative of Buffy
|
|
Jarvis,
Christine , “I
run to Death”: Renaissance Sensibilities in Buffy the Vampire Slayer
|
|
Jarvis,
Christine (Sheffield Hallam University) and Don Adams (Central
Connecticut State University). Dressed
to Kill: Fashion and Leadership in BtVS
(21)
|
|
Jencson, Linda Jean.
“Aiming to Misbehave”: Role Modeling Political-Economic Conditions and Political
Action in the Serenityverse
|
|
Jenkins, Alice and Susan Stuart, Extending Your
Mind: Non-Standard Perlocutionary Acts in "Hush"
|
|
Jowett,
Lorna, New Men:
"Playing the Sensitive Lad"
|
|
Jowett,
Lorna, The
Summers’ House as Domestic Space in Buffy the Vampire Slayer
|
|
"Killing
us Softly"? A Feminist Search for the "Real" Buffy
|
|
Kirchner,
Jesse Saba, And
in Some Language That’s English? Slayer Slang and Artificial
Computer Generation
|
|
Kirkland, Ewan. The Caucasian Persuasion of Buffy
the Vampire Slayer
|
|
Kirkland,
Ewan, A
Conference Report on "Bring Your Own Subtext": Social Life,
Human Experience and the Works of Joss Whedon
|
|
Kiss
the Librarian, But Close the Hellmouth: “It’s Like a Whole Big Sucking
Thing”
|
|
Kociemba, David.
”Actually, it explains a lot”: Reading the Opening Title
Sequences of Buffy the Vampire Slayer |
|
Kociemba,
David,
“Over-identify much?”:
Passion, "Passion," and the Author-Audience Feedback Loop
in Buffy
the Vampire Slayer |
|
Kociemba,
David
, "Where's
the fun?": The Comic Apocalypse in "The Wish"
|
|
K. Dale Koontz
(Cleveland State Community College), The One That Almost Got Away: Doyle and the Fish
Story (26)
|
|
Kromer, Kelly, Silence as Symptom: A Psychoanalytic
Reading of "Hush"
|
|
Krzywinska, Tanya, Playing
Buffy: Remediation, Occulted
Meta-game-Physics and the Dynamics of Agency in the Videogame
Version of Buffy the Vampire Slayer
|
|
Lavery,
David
|
|
Lavery,
David, Apocalyptic
Apocalypses: The Narrative Eschatology of Buffy the Vampire Slayer
|
|
Lavery,
David, "Emotional Resonance and Rocket Launchers": Joss Whedon's
Audio Commentaries on the Buffy the Vampire Slayer DVDs
|
|
Lavery,
David, “I Wrote My Thesis
on You": Buffy Studies as an Academic Cult
|
|
Lavery,
David. "A
Religion in Narrative": Joss Whedon and Television Creativity
|
|
Leon,
Hilary M., Why
We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the
Vampire Slayer Wound Up Dating the Enemy
|
|
“Lessons”
for Season Seven of Buffy the Vampire Slayer
|
|
Links
|
|
A
Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy
the Vampire Slayer
|
|
Locklin, Reid B., Buffy
the Vampire Slayer and the Domestic Church: Re-Visioning Family
and the Common Good
|
|
Loftis,
J. Robert , Moral
Complexity in the Buffyverse
|
|
Los
Alamos is the Hellmouth
|
|
Love,
Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy the Vampire Slayer and Angel
|
|
"Love’s Bitch but Man Enough to Admit
It": Spike’s
Hybridized Gender
|
|
Mad,
Bad Scientists and Cute, Curious Magicians: The Quest for Knowledge in Buffyand
the Whedonverse
|
|
Mailing
List
|
|
Maio,
Barbara
,
Buffy the Vampire
Slayer |
|
Marshall,
C. W., Aeneas
the Vampire Slayer: A Roman Model for Why Giles Kills Ben
|
|
Masson, Cynthea, “Is
that just a comforting way of not answering the question?”: Willow,
Questions, and Affective Response in Buffy
the Vampire Slayer
|
|
Masson,
Cynthea
and
Marni Stanley.
Queer Eye of that Vampire Guy: Spike and the Aesthetics of Camp
(22) |
|
McAvan, Em, “I
Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present
Bisexual in Buffy the Vampire Slayer
|
|
McClelland, Bruce, By
Whose Authority? The Magical Tradition, Violence, and the Legitimation of
the Vampire Slayer
|
|
McLaren,Scott,
The
Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the
Soul
|
|
McNeilly,
Kevin, Sue Fisher, and Christina Sylka, Kiss
the Librarian, But Close the Hellmouth: “It’s Like a Whole Big Sucking
Thing”
|
|
Melton, J. Gordon,
Images
from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002
|
|
Melton, J. Gordon, Words
from the Hellmouth: A Bibliography of Books on Buffy the Vampire
|
|
Middents,
Jeffrey, A Sweet Vamp: Critiquing the Treatment of
Race in Buffy and the American Musical Once More (with
Feeling)
|
|
Mikosz,
Philip and Dana Och, Previously on
Buffy the Vampire Slayer . . .
|
|
"Mind
and Heart with Spirit Joined”: The Buffyverse as an Information System
|
|
The Monster Inside: Taming the Darkness within
Ourselves
|
|
Moral
Complexity in the Buffyverse
|
|
Moss,
Gabrielle, From
the Valley to the Hellmouth: Buffy’s
Transition from Film to Television
|
|
Mukherjea, Ananya (College of Staten Island, CUNY), “When You Kiss Me, I want to
Die”: Gothic Relationships and Identity on Buffy the
Vampire Slayer
(26)
|
|
Myth,
Metaphor, Morality and Monsters: The Espenson Factor and Cognitive Science in
Joss Whedon's Narrative Love Ethic
|
|
"Never
Hurt the Feelings of a Brutal Killer": Spike and the Underground Man
|
|
A New Frontier: Whedon Studies and Firefly/Serenity |
|
New
Men: "Playing the Sensitive Lad"
|
|
News
|
|
"Not
Just Another Buffy Paper”: Towards an Aesthetics of Television
|
|
Sören
Nylin, Mad, Bad Scientists and Cute, Curious
Magicians: The Quest for Knowledge in Buffyand the Whedonvers
|
|
Wendy Olson (Washington State
University Vancouver), Enlightenment Rhetoric in
Buffy the Vampire Slayer:
The Ideological Implications of Worldviews in the Buffyverse
(26)
|
|
On
the Philosophical Consistency of Season 7
|
|
The One That Almost Got Away: Doyle and the Fish
Story (26) K.
Dale Koontz
|
|
Orientalism in Firefly and Serenity |
|
“The
Outsiders' Society”: Religious Imagery in Buffy the Vampire Slayer
|
|
Over-identify much?”:
Passion, "Passion," and the Author-Audience Feedback Loop
in Buffy
the Vampire Slayer
|
|
Passion, pain and ‘bad
kissing decisions’: learning about intimate relationships from Buffy
Season Six (21) Angie
Burns
|
|
Pateman,
Matthew, "Restless"
Readings--Involution, Aesthetics, and Buffy
|
|
Pateman, Matthew.
Introduction
(22) |
|
Paule,
Michele, You're on my
campus, buddy!: Sovereign and disciplinary power at Sunnydale High
|
|
Pender,
Patricia (Pace University). "Where
Do We Go From Here?”: Buffy
Studies and Slayage 2006
(21)
|
|
Perceived
Values and Social Support in Buffy
the Vampire Slayer
|
|
Peters, Mark, Getting
a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive
on the Television Without Pity Message Boards
|
|
Playdon,
Zoë-Jane, “The
Outsiders' Society”: Religious Imagery in Buffy the Vampire Slayer
|
|
Playing
Buffy: Remediation, Occulted
Meta-game-Physics and the Dynamics of Agency in the Videogame
Version of Buffy the Vampire Slayer
|
|
The
Politics and Ethics of Researching the Buffyverse
|
|
Previously
on Buffy the Vampire Slayer . . .
|
|
Psychology
of a "Superstar":
A Pyschological Analysis of Jonathan Levinson
|
|
"Queen C" Goes to Boys' Town:
Killing the Angel in Angel's House |
|
Queer Eye of that Vampire Guy: Spike and the Aesthetics of Camp |
|
Rabb,
J.
Douglas and J.
Michael Richardson, Myth, Metaphor,
Morality and Monsters: The Espenson Factor and Cognitive Science in Joss Whedon's Narrative Love Ethic
|
|
Rambo,
Elizabeth, “Lessons”
for Season Seven of Buffy the Vampire Slayer
|
|
Rambo,
Elizabeth ,
"Queen C" Goes to Boys' Town:
Killing the Angel in Angel's House |
|
Reading
the Vampire Slayer
|
|
Real Vampires Don’t Wear Shorts: The Aesthetics of Fashion in Buffy
the Vampire Slayer |
|
Red
Noise
|
|
Regeneration
through Vampirism: Buffy the Vampire Slayer’s New Frontier
|
|
"Restless"
Readings--Involution, Aesthetics, and Buffy
|
|
Revisiting
Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men Who
Died”
|
|
Riess,
Jana, The Monster Inside: Taming the Darkness within
Ourselves
|
|
"A
Religion in Narrative": Joss Whedon and Television Creativity
|
|
"Restless"
Readings--Involution, Aesthetics, and Buffy
|
|
Richardson,
J. Michael and J. Douglas Rabb,
Buffy, Faith and
Bad Faith: Choosing to be the Chosen One |
|
Rogers,
Brett M. (University of Georgia). The
Whedonverses and the Sociology of Academe, or A Report on SC2: The Slayage
Conference on the Whedonverses, Gordon College, May 26-28, 2006
(21)
|
|
Romesburg,
Rod,
Regeneration through Vampirism: Buffy
the Vampire Slayer’s New Frontier
|
|
Rosenfeld. Lawrence B. and Scarlet L. Wynns, Perceived
Values and Social Support in Buffy the
Vampire Slayer
|
|
Ruddell, Caroline, “I
am the law” “I am the magics”: Speech, Power and the Split
Identity of Willow in Buffy the Vampire Slayer
|
|
Screaming
to be Heard: Community and Communication in "Hush"
|
|
Shade,
Patrick (Rhodes College), Screaming
to be Heard: Community and Communication in "Hush"
(21)
|
|
Paul D. Shapiro
(Georgia Southwestern), Someone to Sink Your Teeth Into: Gendered Biting
Patterns on Buffy the Vampire Slayer—A Quantitative Analysis
(26)
|
|
“She’s Not All Grown Yet”:
Willow As Hybrid/Hero in Buffy the Vampire Slayer
|
|
Silence as Symptom: A Psychoanalytic
Reading of "Hush"
|
|
Simkin,
Stevie, "You Hold Your Gun Like A Sissy
Girl": Firearms and Anxious Masculinity in BtVS
|
|
Simkin, Stevie, "Who died and made you
John Wayne?” – Anxious Masculinity in Buffy the Vampire
Slayer
|
|
Singing Their Hearts Out: Performance,
Sincerity and Musical Diegesis in Buffy the Vampire Slayer
and Angel
|
|
Sister
Journals
|
|
Site
History
|
|
The
Slayage Conference on Buffy the Vampire Slayer
|
|
Slayage
Number 1
|
|
Slayage
Number
2
|
|
Slayage
Number
3
|
|
Slayage
Number
4
|
|
Slayage
Number
5
|
|
Slayage
Number 6
|
|
Slayage
Number 7
|
|
Slayage
Number 8
|
|
Slayage
Number 9
|
|
Slayage
Number 10
|
|
Slayage
Number 11_12
|
|
Slayage
Number 13_14
|
|
Slayage
Number 15
|
|
Slayage
Number 16
|
|
Slayage
Number 17
|
|
Slayage
Number 18
|
|
Slayage
Number 19
|
|
Slayage
Number 20
|
|
Slayage
Number 21
|
|
Slayage
Number 22 |
|
Slayage
Number 23 |
|
Slayage
Number 24
|
|
Slayage
Number 25
|
|
Slayage
Number 26
|
|
Slayage
Number 27
|
|
Slayage
Number 28
|
|
Slaying
the Patriarchy: Transfusions of the Vampire Metaphor in BtVS
|
|
"Solving
Problems with Sharp Objects": Female Empowerment, Sex and Violence in Buffy
the Vampire Slayer
|
|
Someone to Sink Your Teeth Into: Gendered Biting
Patterns on Buffy the Vampire Slayer—A Quantitative Analysis
(26) Paul D. Shapiro
|
|
"Sounds Like Kinky Business to Me": Subtextual and Textual
Representations of Erotic Power in the Buffyverse
|
|
South,
James, On the Philosophical
Consistency of Season 7
|
|
Spah, Victoria, Ain't Love Grand: Spike
& Courtly Love
|
|
Spicer,
Arwen, "It’s
Bloody Brilliant!" The Undermining of Metanarrative Feminism in the
Season Seven Arc Narrative of Buffy
|
|
Spicer, Arwen, "Love’s Bitch but Man Enough to Admit
It": Spike’s
Hybridized Gender
|
|
Staking
Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior
|
|
Stengel,
Wendy A. F. G., Synergy
and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer
Communities of Interest
|
|
Stevenson,
Greg, The End as
Moral Guidepost
|
|
Submission
to Slayage
|
|
The
Summers’ House as Domestic Space in Buffy the Vampire Slayer
|
|
A Sweet Vamp: Critiquing the Treatment of
Race in Buffy and the American Musical Once More (with
Feeling)
|
|
Symonds,
Gwyn, 'Solving
Problems with Sharp Objects': Female Empowerment, Sex and Violence
in Buffy the Vampire Slayer
|
|
Synergy
and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer
Communities of Interest
|
|
Tabron,
Judith, Girl on Girl
Politics: Willow/Tara and New Approaches to Media Fandom
|
|
Teen
Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy
the Vampire Slayer
|
|
"There
Will Never Be a ‘Very Special’ Buffy”: Buffy
and the Monsters of Teen Life
|
|
T. S. Eliot Comes to Television: Buffy's
"Restless"
|
|
Turnbull,
Sue, "Not Just
Another Buffy Paper”: Towards an Aesthetics of Television
|
|
Undead
Letters: Searches and Researches in Buffy
the Vampire Slayer
|
|
Vampire
is Being Beaten - De Sade Through the Looking Glass in Buffy and Angel,
A
|
|
Vampires
and School Girls: High School Highjinks on the Hellmouth in Buffy
the Vampire Slayer
|
|
“A Very Strong Urge to Hit You”: Mimetic Violence and Scapegoating in Buffy the Vampire Slayer
(26) George A. Dunn
and Brian McDonald
|
|
Vint,
Sherryl, "Killing us Softly"? A
Feminist Search for the "Real" Buffy
|
|
Walking
the Fine Line Between Angel and Angelus
|
|
Wandless,
William, Undead
Letters: Searches and Researches in Buffy
the Vampire Slayer
|
|
Warrior Heroes: Buffy
the Vampire Slayer and Beowulf`
|
|
“We don’t say ‘Indian’”: On the Paradoxical Construction
of the Reavers |
|
Whedon Studies Association, The
|
|
The
Whedonverses and the Sociology of Academe, or A Report on SC2: The
Slayage Conference on the Whedonverses, Gordon College, May 26-28,
2006 (21)
Brett M. Rogers
|
|
When,
Where, and How Much is Buffy a Soap Opera?
|
|
“When You Kiss Me, I want to
Die”: Gothic Relationships and Identity on Buffy the
Vampire Slayer
(26)
Ananya
Mukherjea
|
|
"Where
Do We Go From Here?”: Buffy
Studies and Slayage 2006
(21) Patricia Pender
|
|
"Where's the fun?": The Comic Apocalypse in "The Wish" |
|
"Who died and made you
John Wayne?” – Anxious Masculinity in Buffy the Vampire
Slayer
|
|
Why
Can’t We Spike Spike?: Moral Themes in Buffy
the Vampire Slayer
|
|
Why
Drusilla is More Interesting Than Buffy
|
|
Why
We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the
Vampire Slayer Wound Up Dating the Enemy
|
|
Wilcox, Rhonda V.
|
|
Wilcox, Rhonda V., "Every Night I Save
You": Buffy, Spike, Sex and Redemption
|
|
Wilcox,
Rhonda
V. (Gordon College). In
"The Demon Section of the Card Catalog": Buffy
Studies and Television Studies
(21)
|
|
Wilcox,
Rhonda V., "There
Will Never Be a ‘Very Special’ Buffy”: Buffy
and the Monsters of Teen Life
|
|
Wilcox,
Rhonda V., T. S. Eliot Comes to Television: Buffy's
"Restless"
|
|
Wilcox,
Rhonda V. ,
The Whedon Studies Association
|
|
Williams,
Rebecca, “It’s
About the Power!” Executive Fans, Spoiler Whores and Capital in
the Buffy
the Vampire Slayer On-Line
Fan Community
|
|
Winslade,
J. Lawton,
Teen
Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy
the Vampire Slayer
|
|
Wisker,
Gina, Vampires
and School Girls: High School Highjinks on the Hellmouth in Buffy
the Vampire Slayer
|
|
Words
from the Hellmouth: A Bibliography of Books on Buffy the Vampire
|
|
"You Hold Your Gun Like A Sissy
Girl": Firearms and Anxious Masculinity in BtVS
|
|
You're
on my campus, buddy!: Sovereign and disciplinary power at Sunnydale High
|
|
Xander, Patriarchy, and the
Presentation of Realistic Gender Politics in BtVS |
