Slayage 8.2 &3 [30 & 31], Summer/Fall 2010
David Lavery and Rhonda V. Wilcox, Co-Editors
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For the first time and from now on, Slayage essays will appear only as PDFs.
Cynthea Masson (Vancouver Island University) and Rhonda V. Wilcox (Gordon College), “Fantasy . . . Is Their Business, But That Is Not Their Purpose”: Introduction to the Slayage Special Issue on Dollhouse
Cynthea Masson (Vancouver Island University), Who Painted the Lion?—A Gloss on Dollhouse’s "Belle Chose”
K. Dale Koontz (Cleveland Community College), Czech Mate: Whedon, Čapek, and the Foundations of the Dollhouse
Hugh H. Davis (St. Mary's School), “The Drama Is In Us": Pirandellian Echoes in Dollhouse
Renee St. Louis and Miriam Riggs (U California San Diego), “A Painful, Bleeding Sleep": Sleeping Beauty in the Dollhouse
Bronwen Calvert (Sunderland U, The Open U, UK), Mind, Body, Imprint: Cyberpunk Echoes in the Dollhouse
Tom Connelly (Independent Scholar) and Shelley S. Rees (U of Science and Arts of Oklahoma), Alienation and the Dialectics of History in Joss Whedon’s Dollhouse
Sherry Ginn (Rowan-Cabarrus Community College), Memory, Mind, and Mayhem: Neurological Tampering and Manipulation in Dollhouse
Lisa K. Perdigao (Florida Institute of Technology), “This One’s Broken": Rebuilding Whedonbots and Reprogramming the Whedonverse